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Five Awesome Things You Can Learn From Free Landscape Paintings | free landscape paintings

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Below, we’ve angled up the better and best art shows you charge to apperceive about this season, like Jeffrey Gibson: Like a Hammer and Margie Livingston: Extreme Mural Painting. You can additionally acquisition a complete account of art shows in Seattle this winter on our Things To Do calendar, or analysis out the blow of our critics’ picks from Seattle Art and Performance.

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Heikki Seppa: Adept Metalsmith Heikki Seppa, who died in 2010, was a adept artisan built-in in Finland who immigrated west and eventually accomplished in the USA, area he co-founded the Association of North American Goldsmiths. The architecture displays a ambit of his works, including jewelry, anatomic pieces, and sculpture. (Through Sun Feb 3)

Bellevue Arts MuseumDylan Neuwirth: OMNIA Dylan Neuwirth transforms the absolute architecture into an astronomic allegory for the aeon of action through bristles exhibitions composed of neon, video, achievement art, agenda art, and sculpture. Two genitalia of this able takeover are installed outside, on the building’s exoteric and on the balcony, while two added are begin aural the museum. The aftermost allotment in the absolute accession is an online beam arcade advantaged New Folklore. (Through Sun March 24)

Polaroids: Personal, Private, Painterly Robert E. Jackson’s exhibition of his accumulating of Polaroids, cocurated with architecture controlling administrator and arch babysitter Benedict Heywood, is a analytical and acutely absorbing attending into the aboveboard lives of others. All the capacity and authors of these snapshots are alien to Jackson—the photos are what Heywood declared as “pure images.” The photos don’t appear beyond as anecdotal in and of themselves, but added like beautiful, half-second windows into accidental people’s lives. (Through Sun March 24) JASMYNE KEIMIG

BAM Biennial 2018: Glasstastic Artists from Oregon and Washington will accord their best avant-garde pieces in bottle to this year’s BAM Biennial. (Through Sun April 14)

Clyde Petersen: Merch & Destroy Action filmmaker, musician, artist, and roadie Clyde Petersen presents a “heartfelt yet base adulation letter” to touring life, fatigued from his own two decades of acquaintance with Aesop Rock, Kimya Dawson, his own band, Your Affection Breaks, and others. With a appearance that’s according measures chastity and wry distance, he’s complete a Ford Econoline and a greenroom out of agenda that’s complemented by a set of guitars from the aforementioned apprehensive materials, and co-created with Darius X for the appearance Shredders: A Fantasy Guitar Store. (Through Sun April 14) JOULE ZELMAN

Frye Art MuseumGroup Therapy Accumulation Therapy appearance a agenda of all-embracing artists acclamation capacity of healing and self-care through a ambit of media. With its adjacency to Harborview Medical Center (the region’s better agony affliction hospital) and several added hospitals, the architecture will additionally action as a association “free clinic” with immersive installations and participatory projects. By including racism, sexism, and political tribalism as amusing pathologies, the appearance reframes what it agency to be ill in the 21st aeon and offers association architecture as one attainable curative. (Through Sun Jan 6) KATIE KURTZ

Cherdonna Shinatra: DITCH Cherdonna Shinatra is a annoyance performer, dancer, choreographer, and about fun lunatic. Her annoyance cool is that she’s a woman arena a man arena a woman, which acclimated to be a abolitionist abstraction but has now become appealing run-of-the-mill. Which is great! That said, Cherdonna is added than a woman arena a man arena a woman, she’s a achievement artisan committed to interrogating how the changeable anatomy is captivated by the macho gaze/gays. Her new assignment at the Frye, DITCH, will actualize immersive DAILY performances that are COMMITTED to authoritative the apple blessed in a time of Trump. If anyone can do that absurd task, Shinatra and aggregation can. (Jan 26–April 28) CHASE BURNS

The Rain Doesn’t Apperceive Friends from Foes: Ramin Haerizadeh, Rokni Haerizadeh, Hesam Rahmanian Three Dubai-based Iranian artists—the Haerizadeh brothers and their acquaintance Hesam Rahmanian—transform internet account images through painting and action in an claiming of accumulation media consumption, violence, and voyeurism. For this exhibition, they appearance two animations accumulation photographs of migrants appetite to adeptness Europe with “painterly patterns, fablelike beastly imagery, and surreal apery effects.” (Jan 26–April 28)

Tschabalala Cocky In the aboriginal abandoned architecture presentation of her assignment on the West Coast, New Haven-based Tschabalala Self’s art resists the norms of acceptable portraiture. Dealing with the “iconographic acceptation of the Atramentous changeable anatomy in abreast culture,” the abstracts in Self’s assignment both acquire and adios the stereotypes and fantasies surrounding the Atramentous changeable body. They are not there to acquaint or reprimand, but to artlessly be. At already garish, cheeky, and thought-provoking, Self’s use of collage gives the paintings a textured attending that makes you appetite to adeptness out and blow them (don’t, though). (Jan 26–April 28) JASMYNE KEIMIG

Quenton Baker: Ballast In 1841, American-born disciplinarian on the brig Creole commandeered the abode bringing them adjoin a connected action of ache and cruelty. They landed on British territory, area they begin their freedom. Award-winning bounded artisan Quenton Baker uses this adventure to appraise atramentous history from a claimed standpoint, à la his accumulating This Glittering Republic. The adaptation attempt of long-ago bodies and the abiding furnishings of bullwork on the anima of those built-in chargeless aggressive Baker’s “erasure poems,” which he created by blacking out words in the Senate abode on the Creole. Baker uses this careful abolishment action to booty ascendancy of the actual narrative, administering the viewer’s alertness to adventitious meanings. (Through Sun Feb 3) JOULE ZELMAN

Henry Art GalleryMartha Friedman: Castoffs The age-old two-finger amulet, fabricated of aphotic bean like atramentous or hematite, was placed in age-old Egyptian coffins, apparently to assure the anatomy within. Brooklyn artisan Martha Friedman, a adept of afraid forms, places glass-blown versions of these talismans alongside distorted, baggy approximations of the macho body. She acquired these sculptures from casts of the anatomy of Silas Riener, a ballerina and choreographer, afore adorning and altering them with elastic tubing and bedding and metal spikes. Friedman’s anatomization of the macho anatomy adeptness be taken as an antagonism of—or animus for—the age-old macho gaze, in which the anatomy is not alone objectified but dismembered. (Through Sun Feb 10) JOULE ZELMAN

Gurvich Abreast Artist: Carolina Caycedo London-born Caycedo, whose parents are Colombian, lives in LA, and produces environmentally and politically affianced attainable art projects in abounding countries. Her assignment has additionally been apparent in abundant biennials, from Venice to Sao Paulo. Here, she’ll be involving the attainable in projects accompanying to Be Dammed, her advancing absorption on the interconnectedness of amnion and the absolution of waterways from dams. She’ll accord a abode and advance architecture visitors in an improvised ball with handmade fishing nets on February 23. (Feb 20–23)

Bruce Conner: Untitled Prints Bruce Conner’s latest exhibition focuses on atramentous and angry prints he fabricated in 1970–71 application a new-to-market felt-tip pen. Ink in these pens broiled out quickly, consistent in Conner exploring conciseness in his drawings, canonizing them always by photographing and afresh appointment the after-effects to print. (Through Sun April 28) JASMYNE KEIMIG

Edgar Arceneaux: Library of Atramentous Lies Enter Edgar Arceneaux’s backward board structure—a low, irregular-sided board shack—and acquisition yourself in a parallel-world library of sugar-crystal atramentous books. According to architecture materials, this installation—first apparent in Paris in 2016—concerns Arceneaux’s preoccupations with history, memory, and our abstruse beastly reconstructions of both. The aftereffect looks like a cramped, mazelike hideaway, a allegory for the banned imposed on our angle of the accomplished by our own charge for containment. (Through Sun June 2) JOULE ZELMAN

Nordic MuseumThe Vikings Begin Dating from the mid-7th to backward 11th century, artifacts in this exhibition appear from 15 grave boats begin active about the area of Sweden’s Uppsala University. Seattle is the extreme west these altar acquire anytime been. The affectation amplitude is angry and sense-stimulating, with an apocalyptic drumbeat arena throughout and two behemothic screens depicting beastly sacrifices and Viking action scenes. (Through Mon April 15) JASMYNE KEIMIG

Northwest African American MuseumBold As Love: Jimmy at Home This Jimi Hendrix exhibit, which opens on the late, allegorical Seattle guitar player’s 76th birthday, appearance archival and ancestors photos, Hendrix’s own artwork, claimed artifacts, music findings, and added from throughout his life. (Through May 5)

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Seattle Art MuseumClaire Partington: Demography Tea The British ceramicist elucidates the history hidden in the Porcelain Room, a admired abiding accession in the museum. Incorporating or evoking Baroque painting, bits from centuries-old shipwrecks, beastly figures, and branch production, Partington delves into the Eurasian ceramics trade. Luxury, culture, corruption all lie abaft the appearing analgesic dishes and vessels. (Dec 7–Dec 6, 2020)

Peacock in the Desert: The Aristocratic Arts of Jodhpur, India A traveling exhibition of some 250 artworks and altar that trace four centuries of aristocratic history of the Rathore absolutism of Rajasthan, India. Best of these objects—which accommodate miniature paintings, handcrafted armor, and carved furnishings—had never catholic to the US above-mentioned to this exhibition. The SAM accession will accommodate all-embracing accurate murals that arm-twist the geographic and actual ambience of these attenuate treasures. (Through Mon Jan 21) EMILY POTHAST

Jeffrey Gibson: Like a Hammer In his aboriginal above architecture exhibition, Gibson combines acceptable elements of Native American art and abstracts with abreast pop adeptness references and images. This leads to an absorbing bond of cultures—like a board console commonly beaded with “I WANNA BE ADORED” (a lyric from the archetypal 1991 Bean Roses song) blazed beyond it. Or a punching bag beautifully adorned with beaded geometric patterns. (Feb 28–May 12) JASMYNE KEIMIG

Noble Splendor: Art of Japanese Aristocrats Works commissioned by affluent assemblage of the arts in premodern Japan are celebrated: sculptures, screens, scrolls, paintings, and metalwork. (Through Sun March 3)

Tacoma Art MuseumRebecca and Jack Benaroya Wing Expansion and Inaugural Exhibition A half-century’s account of bottle treasures from the Pilchuck Bottle School (founded in ’71) is independent in this collection, and the bequeathal of it to the architecture is a huge accord for Washington’s art scene, with masterpieces by Lino Tagliapietra, Mary Van Cline, Debora Moore, Dale Chihuly, and Martin Blank included. (Opens Sat Jan 19)

Native Portraiture: Ability and Perception This affectation invites you to contemplate structural abuse and allotment of Native capacity in portraits by non-Native people, as able-bodied as Native artists’ reflections and adjustment of this academic iconography. (Through Sun Feb 10)

Places to Call Home: Settlements in the West See representations of Western cities throughout their history and development, including admirable works by immigrant or immigrant-descended artists like Kenjiro Nomura and Mian Situ. (Through Sun Feb 10)

Whatcom MuseumEndangered Species: Artists on the Front Line of Biodiversity With 80 works by 52 artists, this exhibition explores the abounding spectrum of our accustomed ambiance with art that addresses accumulated from anthropogenic altitude disruption to abode apology projects. Pieces in the appearance date aback as far as the aboriginal 1800s through the present, and accommodate George Catlin’s arresting and aberrant 1832 oil painting Buffalo Bull, Grazing on the Prairie, Michael Felber’s 2017 atramentous pencil Arctic Father, and Andy Warhol’s Endangered Species series, 10 silk-screen prints from 1983, anniversary featuring a adapted endangered animal. (Through Sun Jan 6) KATIE KURTZ

Wing Luke MuseumWham! Bam! Pow!: Cartoons, Turbans, and Confronting Hate Vishavjit Singh responds to xenophobia—which he accomplished affluence of afterwards September 11, 2001, as a Sikh American lumped in with added South Asians and Middle Easterners—with a superhero alternation about a Sikh anti-bigot. (Through Sun Feb 24)

ArtXchangeLaura Castellanos: Bodega (Love Materials) There’s a array of airy and chilling aspect to Castellanos’s work—it’s as if her paintbrush is divining some bulletin from a god(dess) who is at already benevolent and strange, blatant and all-seeing, lover of both ablaze blooming and claret sacrifice. Castellanos is axis ArtXchange into a behemothic alternate “bodega,” partially re-creating her actually allegorical collapsed amplitude central the gallery, and will affectation accumulated from paintings to duke puppets to accomplished art. I’ve heard that there will be some budget-friendly pieces, so save up and accompany a athletic bag! (Dec 6–Jan 26) JASMYNE KEIMIG

Bryan Ohno GalleryLaura Hamje: 53 Angle of the Alaskan Way Arch Aback the Alaskan Way Arch closes abutting year, the city’s best attainable animated westward appearance goes with it. I’ve been practicing homesickness for that accident over the accomplished brace of years, not absorbed aback cartage slows and I’m ashore staring at Elliott Bay and the Olympic Mountains in the distance. Seattle artisan Laura Hamje’s paintings in assorted mediums—from oil on linen to gouache on paper—are snapshots of all the adapted swoops, curves, and pillars of the 65-year-old roadway. Based in allotment on Japanese artisan Hiroshige Ando’s early-19th-century woodblock series 53 Stations of the Tokaido, the alternation captures the anatomy in its abounding moods—from the blurred and rainy, to the ablaze flashes of ablaze biting shadows. All of the angle are from the angle of how we will bethink the arch the most: through a windshield. KATIE KURTZ (Dec 6-Jan 5)

Center on Abreast Art (CoCA)Ellen Ito: Cook The beginning action and home arcade amplitude of artists Joey Veltkamp and Ben Gannon, cogean? appearance exhibitions that highlight calm arts and crafts. Their fifth appearance at the 100-year-old abode they allotment on Cogean Avenue—within accessible walking ambit of the Bremerton bear terminal—is from Ellen Ito, and it is centered on administration aliment as association building. Ito additionally organized a advertisement in conjunction; it appearance illustrations and recipes by added than 40 artists, including Matthew Offenbacher, Nicholas Nyland, and Lulu Yee. Proceeds from recipe-book sales account bounded organizations, and attendees are encouraged to accompany donations for a bounded aliment bank. (Through Mon Dec 31) KATIE KURTZ

Cornish Playhouse at Seattle CenterNeddy Artisan Awards Affectation One of the better and best celebrated art awards in the accompaniment of Washington, the Neddy Awards accommodate banknote prizes to outstanding artists active in the Puget Sound region. See the artists’ assignment at this exhibit. (Through Sun Dec 16)

Davidson GalleriesGeorges Rouault: The Complete Miserere The print-focused arcade brings addition European abundant hitter to town: Georges Rouault, who lived from 1871-1958 and formed in Fauvist and Expressionist modes. Here, you can see his two-part alternation composed of the Miserere (plea for the benevolence of God) and Guerre (war), which responded to the horrors of Apple War I with Christian and humanist imagery. (Through Sat Dec 22)

Arthur Luiz Piza Sao Paulo-born, Paris-educated Piza is accepted for his abnormal appearance of gouging designs in ultra-thick chestnut plates with hammers and chisels. The unsteadily balanced, blubbery abstracts accord an consequence of weight and power. (Dec 6–22)

Théo TobiasseSee the allegorical lithographs of Lithuanian Israeli artisan Théo Tobiasse, a alluring amount who survived the Holocaust in Paris by ambuscade for two years in a tiny accommodation with his family. (Feb 7-March 2)

Dion Zwirner Attractive at Dion Zwirner’s paintings is like attractive at a amazing mural through a attractive bottle covered in rainwater—beautiful, emotional, and wet. Zwirner’s abstruse access to documenting the accustomed apple is auspicious and acutely dewy. The colors she uses dribble and drain into one another, marrying horizons, seas, trees, clouds, and apple in a way that about reminds you of a abode you’ve been to in a dream. (March 7–30) JASMYNE KEIMIG

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The FactoryJean Nagai: With Spirits Featuring LA-based Japanese American artisan Nagai’s large-scale, semi-abstract, intricately-designed paintings and works from his 100 Days/100 Paintings project. Anthony White bedfellow curates. (Thurs Dec 13)

Fantagraphics Bookstore and Gallery12th Anniversary Appearance with Jeremy Eaton Underground comix artist/painter Jeremy Eaton classifies his art as “energetic,” and his pop-surrealist grotesques and abstracts actually affirm to a agrarian and abundantly awe-inspiring imagination. We don’t apperceive actually what he’s assuming here, but contempo works acquire included a delineation of an accursed David Bowie arch amphibian in a ample solar arrangement and a alternation of misshapen, hairy, aroused pinups. (Dec 8–Jan 9)

FoodArt CollectionFROOT by Goldsuit: New Artworks from Genevieve St. Charles The pop-art breeding of Genevieve St. Charles combines the bathed ooziness of MAD anniversary banana strips and the shellacked appearance of 1950s-era fast-food advertising. Her to-scale La Croix cans with flavors like “Homeless Bitcoin Millionaire” or “Women Laughing Alone with Salad” is cultural annotation at its best: throwaway curve on a throwaway can of negligibly flavored aerated water. A absolute fit for Jeremy Buben’s accommodation active allowance art arcade FoodArt Collection, the appearance appearance anatomic art like acceptable alcohol coasters and amazon topped ancillary tables. Tasty KATIE KURTZ (Thurs Dec 13)

Foster/White GallerySarah McRae Morton The caliginosity of ancestors approach in Morton’s art in this exhibition with capacity of spirit and lineages. Her latest painters are blurred with motion, hinting at cheat characters and agitated weather. (Dec 6-23)

G. Gibson GalleryDaniel Carrillo: Daguerrotypes In the aback gallery, analysis out Carrillo’s abstruse accurate impressions, which focus in allotment on the accouterments and accoutrement of beheld artists like Kimberly Trowbridge, Kelly Bjork, Jeffry Mitchell, and Paul Komada. (Dec 7-Jan 12)

Thuy-Van Vu and Samantha Scherer: New Assignment Seattle-based artists Vu and Scherer assume like an automatic bond for a arcade show. Presenting new work, both artists get at the breakable base of their subjects. With Vu, azoic altar (typewriters, quilts, bags of wood) booty on a human, animate affection in a rather quiet way. Scherer’s watercolor capacity assume to aloof apparent adjoin the background—craggy, aching, and vulnerable. Whatever these two artists put out is thoughtful, contemplative, and a “don’t miss” in every way. (Dec 7–Jan 12) JASMYNE KEIMIG

Fay Jones and Robert C. Jones: In Tandem Fay Jones is accepted for her awe-inspiring Westlake Station mural, for her Joan Mitchell Grant in 2013, and for her artifice of apparent apologue in favor of antic allegorical allusions. Her bedmate Robert C. Jones is addition titan of the Seattle art scene: His bright gestural abstractions are anchored with Matissean atramentous lines, and are a amusement to attending at. (Jan 9–Feb 23)

Gallery 4CultureJite Agbro Jite Agbro is anxious with what you’re wearing. Well, okay, maybe not actually with what you’re cutting appropriate now, but added with how what we abrasion and how we abrasion it is an announcement of our “projected narratives and our accurate selves.” Here, the Seattle-based Nigerian American artisan will be presenting her latest alternation of all-embracing mixed-media works that investigate chic acumen and markers of status, cartoon afflatus from the beastly anatomy and what that anatomy can wear. (Feb 7–28) JASMYNE KEIMIG

Ghost GalleryHoliday Mini Art Affectation Pay the appropriately adored Capitol Hill arcade a appointment for its 12th anniversary anniversary mini art exhibit, area you can accept from hundreds of baby works by locals and artists further afield. (Dec 13–Feb 10)

Glassbox GalleryArtifacts from the Multiverse Don’t absence this exhibition of props, costumes, and “alternate realities” from the blemish Northwest blur Prospect. (Dec 6–Jan 5)

Greg Kucera GalleryMargie Livingston: Extreme Mural Painting This isn’t your grandma’s mural painting—there’s not a sun ambience over an abandoned acreage or a river coil adjoin the border in sight. Rather, the appellation refers to Livingston’s convenance of harnessing a canvas to her anatomy and afresh boring it abaft her. Sometimes the canvas will be corrective in adapted layers of colors afore actuality dragged, consistent in a heavily textured painting with assorted colors apparent and interacting with one another. The Seattle-based artist’s assignment is interesting, cogent a adventure of the burghal and acting as an antiquity of her performance. (Through Sat Dec 22) JASMYNE KEIMIG

Saul Becker: Uneven Terrain A Saul Becker mural adeptness be a corrective sky blind over a photographed sea on a allotment of cardboard that fits in the approach of your hand. Real places are pulled into a frame, adapted digitally and mechanically, and Frankensteined together. This is one way to be a abreast mural painter, to extend the attitude of application a collapsed apparent and acrylic to arm-twist place, aural a association ample in photography. (Through Sat Dec 22) JEN GRAVES

Anthony White: Smoke and Mirrors If you haven’t appear beyond assignment by (or curated by) Anthony White at one of the city’s art walks in the accomplished year, you acquire been missing out on a actual accomplished up-and-comer. The babysitter abaft this bounded affectation alternation has additionally apparent his own alloyed PLA (polylactic acid) portraits, which resemble artificial tapestries. His capacity are frequently selfie-taking youths affected by abundant mirrors or casting adjoin intricate, space-flattening wallpaper patterns. (Jan 3–Feb 16)

Joe Rudko: Photographs Seattle-based Rudko cuts up begin photographs to actualize and reinterpret the way we appointment and anticipate about images—sometimes to consciousness-expanding result. Whether rearranging disconnected photos into a circuitous coil or acutely aberrant calm two adapted pictures into a lattice, Rudko makes you anticipate about the animality of the photo itself. (Jan 3–Feb 16) JASMYNE KEIMIG

Harris Harvey GalleryRichard Morhous: The Color of Ablaze Light-obsessed painter Richard Morhous, a Seattle fixture, dramatizes the comedy of beams and colors in acrylics. (March 7–30)

Hedreen GalleryElizabeth LaPensée: affection of the bold Guggenheim Fellowship-winning Anishinaabe/Métis/Irish artisan and biographer LaPensée explores issues of Aboriginal ascendancy through bold design, both agenda and analog. For this exhibition, she offers a adventitious to ascertain her “interventions,” including Thunderbird Strike, the “iPad singing game” Honour Water, the role-playing bold Dialect, and levels from an Aboriginal acknowledgment to Oregon Trail, alleged Aback Rivers Were Tails. (Through Sun March 3)

Henry Art GalleryBetween Bodies In February 2007, the Intergovernmental Console on Altitude Change (IPCC)—an all-embracing anatomy of altitude scientists—issued a account declaring that all-around abating is “unequivocal,” and the acceleration in all-around temperatures is “very likely” the aftereffect of beastly activity. At the time, this was the best acerb worded appraisal the IPCC had anytime issued. Since then, the warnings acquire connected to ratchet up, as has authoritative complacency. We charge to accept new means to abode altitude change afore it really, truly, absolutely, actually is too late. This exhibition includes queer, feminist, and aboriginal perspectives that are actually analytical to an all-embracing view. (Through Sun April 28) KATIE KURTZ

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Jacob Lawrence GalleryClotilde Jiménez: Apple of My Eye London-based Jiménez’s self-portrait collages are alluring in that they booty on an about Frankenstein’s monster–like quality, this accumulated abstraction of character and self. Culling the abstracts in his portraits from debris of chargeless magazines, kitchen towels, and cloth, and accumulation them with fatigued or painted-on elements, his assignment is a able analysis into the anomalous atramentous macho anatomy and Jiménez’s own identity. (Through Sat Dec 29) JASMYNE KEIMIG

Jacob Lawrence Legacy Exhibition: Danny Giles Chicago-based Giles is absorbed in a lot of things—namely, how to abode “the dilemmas of apery and assuming character and catechize histories of abuse and artistic resistance.” Application sculpture, video, and alive performance, Giles’s assignment doesn’t necessarily accord answers but pushes us to ask questions about badge surveillance, understandings of chase and identity, and the accord amid accompaniment ability and anti-black violence. (Feb 4–28) JASMYNE KEIMIG

M. Rosetta Hunter Art GalleryYouth in Focus For the accomplished 25 years, low-income burghal adolescence acquire bidding themselves and captured glimpses of their circadian lives acknowledgment to Adolescence in Focus’s arts program, which pairs the adolescent photographers with developed mentors. (Through Fri Dec 14)

Meghan Elizabeth Trainor: Witancraeftlic Witchcraft and electricity affiliate in Trainor’s sculptural assuming of folk healing, magic, and technology, an awesome accession of bones, jars, sigils, and “familiars.” The aftereffect is an abashing yet weirdly optimistic eyes of hidden feminine abstruse power. (Jan 2–31)

Mariane Ibrahim GalleryAlexandra Karakashian: in on itself Based in Cape Town, this young, award-winning Johannesburg-born painter has been frequently apparent in her home country as able-bodied as at the 1-54 Abreast African Art Fair in London. (Through Sat Dec 22)

METHODHenry Jackson-Spieker: Afterimage Curve There is article a bit anxiety-inducing about actuality in a arcade or museum. As if there’s some specific way you are meant to behave and alike attending at art in those kinds of spaces. The latest accession from Seattle-based Jackson-Spieker is aggravating to agitate and catechize that actual notion. He uses the gallery’s windows as the primary examination perspective, creating a bright “sight line” fabricated of lattice-string carve that can alone be apparent from alfresco the gallery, obstructing chargeless movement central the amplitude itself. (Jan 3–Feb 23) JASMYNE KEIMIG

Michael Birawer GalleryGenna Draper Draper’s mixed-media canvases may be abstruse or representative, but they tend to be awful textured, layered, and earthily colored, sometimes bond in elements of collage. (Feb 1–28)

Mount AnalogueSara Long: Architecture a Anatomy of Ablaze Bounded painter Sara Long, who’s apparent light-bathed nudes and abundant portraits of bodies and animals, has a new exhibition exulting in nature, sunlight, and sensuality. (Dec 6–28)

Re:definitionRe:Definition 2018: Celebrating 90 Years of Community, Adeptness and Amplitude For the Paramount’s 90th birthday, admired curators Juan Alonso-Rodríguez, Tracy Rector, and Tariqa Amnion administer over an exhibition of their own and added locals’ works, including “large-scale panels, beam installations, video projection, and a alternating salon bank of artwork created by adolescence from assorted non-profit organizations.” Alonso-Rodríguez’s painting and activism won him a Conducive Garboil Grant in 2017, Rector’s a Stranger Genius Award winner, and Amnion is a longtime Stranger admired for her artful and agnostic sensibility. They’ve alleged Christopher Paul Jordan, Junko Yamamoto, Rhea Vega, Kenji Hamai Stoll, Joe (wahalatsu?) Seymour, Jr., and Gabriel Marquez to affectation work. (Through Sun Dec 30)

Roq La RueD. Allan Drummond: Curiosity UChicago biochemistry assistant and accustomed science sculptor Drummond’s marvelously abundant beastly sculptures, including 3-D-printed insects and added arthropods, arrive the gallery. (Dec 7–Jan 6)

ShiftWallflower: Kara Mia Fenoglietto God, is there any activity added backbreaking than the alluringly avidity affliction of aerial heels? The bathed absolutism of a too-tight bra? Fenoglietto’s newest exhibition explores the body of delicacy and affair through her conceptual appearance designs, demography afflatus from patterns and capacity associated with bed-making accessories mass-marketed to women. Fenoglietto hopes to activate chat about gender stereotypes and map out a advance for liberation from them. (Jan 3–26) JASMYNE KEIMIG

Stonington GalleryFast Forward: Skateboards and Paddles Upon afterpiece inspection, these two modes of busline allotment a lot of similarities. Not alone do they booty us area we charge to be, fast, but they can additionally act as a canvas for claimed expression. In this behemothic accumulation show, added than 35 artists acquire busy longboards, acceptable skateboards, and paddles in whatever way they see fit. The after-effects are abiding to be intriguing. (Dec 6–Jan 6) JASMYNE KEIMIG

Two Ravens: Alison Marks & Crystal Worl The arcade presents assignment by two Alaska-based artists on their own and in collaboration, Alison Marks (Tlingit) and Crystal Worl (Tlingit/Athabascan). Marks had a abandoned exhibition aftermost year at the Frye alleged One Gray Hair, which Emily Pothast accepted for its “playful, fluid” reimagination of Tlingit acceptable forms. Worl, a cofounder of the admirable Trickster architecture company, has a accomplishments in metalsmithing and affective images. The arcade explains: “ all avant-garde Tlingit bodies are either allotment of the Eagle or Raven moiety. Both Marks and Worl are of the Raven moiety, basic the appellation for their show. But Raven is added than aloof their association marker: Raven is one of the best important allegorical characters on the Northwest Coast.” (Feb 7–28)

Drew Michael During his fourth abandoned exhibition at this gallery, the advancing Yup’ik/Inupiaq mixed-media sculptor already afresh abstracts with acceptable masks and blaze practices, aggregate Western, Native, and alike Byzantine influences. (March 7–31)

studio eWarren Dykeman: Attention Span Do you bethink acquirements about cuneiform—one of the ancient systems of writing? Wedges fabricated with reeds that fabricated language? I started cerebration about cuneiform, afresh went bottomward a hobo cipher aerial aperture while aggravating to amount out the apologue in Dykeman’s work. Which led me to aboriginal computer language. Does the mirror anatomy additional blooming aboveboard additional timberline additional the letter “Z” add up somehow? A painting emblazoned FRONT STAB seems calmly interpretable, but the one declaring SAFE FAZ leads us aback into the cryptic. (Through Sat Dec 22) KATIE KURTZ

Traver GalleryCharlie Parriott, Cappy Thompson, Dick Weiss: Old Friends, New Assignment Thompson is amenable for the 90-foot-long window mural—a woodland/celestial arena of corrective glass—at Sea-Tac All-embracing Airport. Thompson will appearance assignment with Weiss, an Everett-born bottle artisan whose all-embracing allotment can additionally be apparent at Sea-Tac, and Parriott, who spent 12 years as a colorist at Chihuly Collapsed afore allowance to run the hot bottle collapsed at the Architecture of Bottle in Tacoma. (Through Sat Dec 22)

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Date: 2018-12-06 19:51:00

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